Works
| Title | Year | Instrumentation | Library Box/Folder |
|---|---|---|---|
Piano |
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Ave Verum: |
1992 | piano | Bx.14_F1; Bx.14_F2; Bx.14_F3; Bx.10_F4; Bx.10_F3; Bx.5_F10-15 |
| First Piano Sonata | 1947/70/79 | piano | Bx.14_F11; Bx.6F(unnumbered) |
|
1964/79/84 | piano | Bx.6_F32; Bx.6_F29 |
| Pine Mountain Toccata | 1971 (before) | piano | Bx.7_F12; B.7_F13 |
| Second Piano Sonata (Peyote Sonata) | 1956 | piano | Bx.10_F1; Bx.14_F6 |
| Tantum Ergo | 1970 | piano | Bx.10_F2 |
Organ |
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| Eternal Father Strong To Save: Variations on a hymn tune by John Bachus Dykes | 1967 (before) | organ | Bx.6_F3 |
| Herzliebster Jesu | 1961 (before) | organ | Bx.6_F13 |
| Nun Danket: Now Thank We All Our God: Variations on a hymn tune by Johann Crüger | organ | Bx.6_F34; Bx.6_F35; Bx.6_F36 | |
| O Haupt Voll Blut und Wunden: 8 variations | 1958 | organ | Bx.6_F37 |
Microtonal Keyboard |
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| Little Pieces for Quartertone Piano | 1972 | 2 pianos (a quarter tone apart) | |
| My Melancholy Baby | 1984 | 2 pianos (a quarter tone apart) | |
| Hot Crossed Buns | 2 pianos (a quarter tone apart) | ||
| Allegro espressivo e con brio | 2 keyboards (a quarter tone apart) | ||
| Vigil I | 1985 | 2 keyboards (a quarter tone apart) | |
| Sarabande dance for Miriam Cooper | 1985 | 2 keyboards (a quarter tone apart) | |
| Vigil II | 1989 | 2 keyboards (a quarter tone apart) | |
| The Grand Sonata for 2 Synthesizers | 1998 | 2 keyboards (a quarter tone apart) | |
Recorder |
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| Sonata for Recorder and Piano | 1958 | recorder and piano | Bx.10_F8 |
| Sonata for Solo Recorder “The Bullfinch”: for Ralph Zeitlin | 1960 | solo recorder | Bx.17_F6 (published); Bx.10_F9; Bx.5_F18 |
| Romanza | 1962 | solo recorder | Bx.17_F6 (published); Bx,17_F4 (manuscript) |
| Second Sonata for Solo Recorder “The Hypertonic” | 1967 | solo recorder | Bx.10_F9 |
| There Are Different Kinds Of Writing Part 1 (words by Spencer Holst) | 1970 | recorder and narrator | |
| Ralph and Edward: Rondo for Recorder & Prepared Harpsichord | 1971 (before) | recorder and prepared harpsichord | Bx.17_F3; Bx.10_F8 |
| Amoroso | 1972 | solo recorder | Bx.17_F1, Bx.5_F4; Bx.10_F10 |
| Concertino “The Canary” for Andrew Bolotowsky | 1988 | small recorder or piccolo | Bx.5_F27; Bx.17_F2 |
| Amoroso 2 for Andrew Bolotowsky | 1990 | solo recorder or other flute | Bx,5_F5 |
Multiple Recorders |
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| Duo Sonata | 1946 | 2 treble recorders or other woodwinds | Bx.10_F11 |
| Lament for the Bird for Recorders | 1946 | 3 recorders | Bx.10_F12; Bx.17_F8; Bx.6_F19 |
| Blue Mountain Canons: Trio for Recorders | 3 recorders | ||
| Sonata for 2 Recorders “The Syrinx” | 1975 | 2 alto recorders | Bx.9_F5 |
| Double Sonata for Two Recorders and Piano | 2 recorders and piano | Bx.10_F14 | |
| There Are Different Kinds Of Writing Part 2 (words by Spencer Holst) (new Part 2) | 1980 | 2 recorders and narrator | |
| Prelude & Blue for Erich Katz | 1973 | 3 recorders | Bx.10_F13 |
Quartertone Lullabies |
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| Quartertone Recorder Duets | 1973 | ||
| Quartertone Carol | high voice with 3 recorders | ||
| First Quartertone Lullaby for Doris Hays (May be heard with Purple Light) | 1981 | 3 recorders (alto, tenor, and bass) | |
| Second Quartertone Lullaby for Johnny Reinhard | 1982 | 3 recorders (alto, tenor, and bass) | |
| Third Quartertone Lullaby “Midnight Microtone” for Stephani Starin and Dean Drummond | 1983 | alto recorder, flute, and clarinet | |
Songs |
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| Dezember (poem by Vera Lachmann) | 1946 | tenor and viola | |
| Neujahr (poem by Vera Lachmann) | 1947 | soprano and viola | |
| Prothalamian (poem by Edmund Spenser) | high voice and lute | ||
| The Voice of the Lord (Psalm 29) | 1949 | boy’s voice and lute | |
| Hälte Des Lebens (words by Friedrich Hölderlin) | tenor and lute | ||
| Five Songs for Countertenor | countertenor and piano (or other instruments) | ||
| The Statesman’s Holiday (words by W.B. Yeats) | baritone and piano | ||
| Three Greek Songs (poems by Vera Lachmann) | baritone and piano | ||
| 1. Der in Delphi | baritone and piano | ||
| 2. Der Parthenon | baritone and piano | ||
| 3. Dankender Preis | 1964 | baritone and piano | |
| The Angelus (words by Dennis Corbett) | c. 1972 | baritone and quartertone piano or keyboard | |
| The Clown Dives poems by Stephen Stepanchev 1969) | 1969 | baritone and piano | |
| Catawba (words by Vera Lachmann) | 1984 | baritone and piano | |
| All Colors of Light | 1990 | solo voice and chorus | |
| Petals From The Buddha’s Tree (words by Ree Dragonette) | baritone and piano | ||
| Lament (words and tune by Robert Stock) arr. By Tui St. George Tucker | voice and piano | ||
| Lament (words by Tui St. George Tucker) | voice and piano (or piano solo) | ||
| Dr. Judith Korianski | voice and piano | ||
Choral |
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| Requiem | 1966 | Chorus and Orchestra | |
| Gratias Agimus Tibi (for Nina Frankfurther) | Voice & Piano | ||
| Te Deum for Boys Chorus and Brass | 1953 | Three-part choir with instruments ad libitum | |
| Mass of the One | Voices & Instruments | ||
| De Profundis | Voices & Instruments | ||
| Indian Summer: Notes & Score A Ceremony of Psalms | 1983 | Instruments & voices | |
| Mass in Popular Style | 1967 | ||
| Drum Taps (words by Walt Whitman): Cantata for Baritone and B-flat Cl. (I, II, III), Cello, Piano and Drum | 1971 | Baritone and B-flat Cl. (I, II, III), Cello, Piano and Drum | |
| Laudate Dominum | 1996 | Four-part chorus, acoustic & electric guitars, ‘cello & electric bass | |
| In Terra Pax A Christmas Ceremony for Men’s Voices | 1966 | Men’s Voices | |
| Jakugo : Enzan, Hakkaku, Senko, Kissako, Tako | 1967 | For men’s voices and recorders | |
| Venite Exultemus For the Springhouse Farm Choir | 1991 | ||
| He Never Said A Mumbalin’ Word (arr. American Negro Spiritual) | 1952 | Voice & ‘cello | |
| Wade in De Water (arr. Tucker) | Voice & ‘cello | ||
| Ave Maria | |||
| Spiritus Domine | |||
| Laudate | |||
| Adoramus Te | 1986 | ||
| Kyrie – Christe – Agnus Dei | |||
| Sanctus & Sanctus2 & Sanctus3 (multiple versions) | |||
| Ave Regina Caelorum | 1995 | ||
| Shma Yisrael (Deut. 6:14) Voices & ‘cello, guitars, other instruments | |||
Hymns |
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| 1. Tantum Ergo | 1970 | ||
| 2. Ave Verum Corpus | 1988 | ||
| 3. Christus Jesus Splendor Patris | |||
| Zen Songs (Five) | |||
| Canonic Mass | SAB; perc; or prepared piano | ||
| Summer Alleluia “Hymn for Solstice” | 1980 | Voices and Instruments | |
| Sing Cuckoo “Fanfare for Summer” | Singers, Brass & Percussion | ||
| Turnip Stew | |||
| But Parting Is Return (words by May Sarton) | 1999 | Soprano, alto, tenor & bass | |
| All Colors of Light | 1991 | ||
| Tommy Miller Three voices | |||
| Jubilate Deo | |||
Chamber Music |
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| Trio for Brass | 1940 | Two Trumpets & Horn | |
| Rosa Mystica | For three-part ensemble | ||
| Hodie | Strings & Timpani | ||
| The Mocking Bird for Andrew Bolowtowsky | Flute & Recorders | ||
| Trio for Oboe, Clarinet and Bassoon, Mvt. 2 Largo | Oboe, Clarinet in Bb, Bassoon | ||
| Lift Up Your Heads for Oboe, Clarinet and Bassoon | Oboe, Clarinet in Bb, Bassoon | ||
| Happy Birthday, Dear Krzysztof: Part I & Part II | Recorder, string quartet, harpsichord, bass | ||
| Stardust | |||
String Quartet |
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| First String Quartet – Score | 1956-57 | Bx.16_F5; Bx.16_F2; Bx.16_F1; Bx.11_F5 | |
| Second String Quartet “The End of Love” | Bx.16_F4 (parts); Bx.16_F3; | ||
| Chorale Prelude (O Head Full of Blood and Wounds) | Bx.16_F2; Bx.6_F38 | ||
| Third String Quartet – Score | |||
Violin and Viola |
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| First Sonata for Violin and Piano | Bx.14_F12; Bx.10_F16 | ||
| Second Sonata for Violin and Piano “The Lydian Sonata” | 1995 | Bx.16_F8; Bx.16_F7; Bx.16_F6; Bx.14_F8; Bx.10_F17; Bx.6_F24 | |
| Serenade for Two Violas: Part I & Part II | before 1972 | In "Completed" Folder | |
| Partita for viola | 1946 | ||
| Cassation for viola |